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Tuesday, 2 May 2006

When Your Path Takes A Magickal Turn

When Your Path Takes A Magickal Turn Cover Suddenly the wind is no longer just fast moving air. The sun isn't just a bright orb in the sky. The birds seem to have something to tell you and the moon wants to be your friend.

You have just been enlightened, your not really sure where to go from here but you know something inside of you is changing and growing. You take the first step, pick up a book, browse an internet site and now you are overwhelmed with what comes first.

In school, it was easier. They gave you a book, homework and a grade. In school though, you didn't have much of a choice whether you wanted to learn or not.

The Craft is different. No one will make you do anything and there is no way to get an F.

I use the term 'The Craft' because it encompasses all different aspects of the magickal community. Some of us are Wiccan, others are Pagans, there are Green Witches, Mystics, Mages, Sages...the list goes on and on.

Me? I'm an Ecclectic Witch.

This is an introduction for those beginners looking for the next step. I just wanted to share with you what worked for me, and what didn't.

My very first book on magick was Scott Cunningham's "Wicca, a guide for the solitary practioner".

In my opinion, it is one of the best starter books out there. It opens you up. It tells you that it's okay to think for yourself and decide what you want out of this experience. It awakened me, I felt that someone finally understood.

I read it and moved on.

For a while, I practiced being aware of my surroundings. I would sit outside and listen to the wind blowing in my ears. When the sun shined down on my face, I let it's energy absorb into me and felt the love of the God reach out to me. I gazed at the moon and felt at one with the Goddess.

I burned candles and incense, with no particular purpose. I watched the candle flame and appreciated its glow. I watched the incense smoke dance around my room, swirling and twisting and inhaled it's scent.

I picked up stones from the ground and brought them home with me. I held them in my hand and opened myself to the energy they provided.

I got familiar with colors and what they meant to me when I saw them.

Red made me think of anger, motivation, movement, power and strength of will.
Dark blue made me feel safe and protected. Light blue provided me with comfort and soothed my emotions.

I wrote down the colors and their meanings and followed them for my spellwork.

Spellwork:

I started reading up on books that told me how to cast spells, what I needed, how I had to do it.

To be honest I didn't like it. I almost backed off altogether on spellwork. I wasn't a good student in school, maybe that's why but I was very against the idea of being told what to do.

Then I remembered my first book. One thing that Cunningham was always inserting in his words was "If you do not agree with this, do what feels comfortable." So I put my books down and I felt better. :)

My spells were unique, most of them were for the purpose of cleansing. I was depressed and I had alot of pain to get rid of. The God and Goddess understood that and pointed me in the right direction.

When I got into my 'witchy moods' and jumped into the circle, I didn't think "Am I doing this right?" I knew that if it felt right, it was right.

So when I came here to Modern Wiccan, I already had a set of beliefs and a good idea of what worked best for me.

But, I was open to learning from others. In this mind frame, I could take what I liked and leave the rest for others. I grew at my own pace, sometimes things that I rejected, came back and made sense later.

Trust the process. If something feels wrong, don't do it. You may not be ready, or it may not be for you.

Either way, there is plenty of time to learn. Look at The Craft as a giant garden, take the time to smell all the flowers and appreciate each one's different scent.

Intuitional Magick is what I call my practice. In my opinion, it's the best way to go.

The great thing about The Craft though, is that you have every right to disagree.

Blessings to you on your journey.

Free eBooks (Can Be Downloaded):

Ophiel - The Art Practice Of Caballa Magic
Malcolm Mcgrath - Practical Magickal Evocation
Jarl Fossum - Seth In The Magical Texts

What Kind Of Coven Should I Be In

What Kind Of Coven Should I Be In Cover WHAT KIND OF COVEN SHOULD I BE IN??


What covens can and cannot do for their students:

Magical and spiritual power comes only from the Gods.

The knowledge and skill you need to use that power effectively come from your
own hard work.

Coven training is the easiest and safest way to learn and to practice in a
supportive context.

Alternatively, you might seek individual training from an elder you respect.

Be aware that the best training system accomplishes nothing unless you actually
do the work.

And there certainly are skilled and empowered Witches who are solitary and
completely self-trained.

Credentials come from other people.

If community recognition is important to you, you should join a coven that is
part of a lineage, one whose elders have traditional religious authority to
bring others into that collective.

If legal clergy status matters, look for a group that is affiliated with one of
the duly incorporated organizations like Covenant of the Goddess.

Of course, one coven can convey both types of credential.

Be mindful, though, that power, skill, and credentials are three entirely
separate things.

No one of them can substitute for either of the others, nor prove that either of
the others is also present.

Coven Shopping:
finding a place to root yourself and grow

If you choose to seek formal training, look for competent training from
experienced elders who are authentically spiritual in the context of a
functional coven.

Remember that you have a choice.

Ours is one of the fastest growing religions on this planet.

There are many more covens than there were, even ten years ago.

Most of these covens make themselves accessible to sincere seekers.

As a result, potential students can "shop around," for the best possible coven,
the best possible match.

As always, people who have options are responsible for the choices they make.

Be thoughtful and careful.

Ask for the guidance of the Gods and listen for the still small voice that
carries Their response.

The quality of your experience depends on the choices you make now.



Here are some things to look for:

People you can respect, trust and love.

Good people. How could anyone be spiritual without being at least honest and
kind?

Authentic people - people who seem to live in accordance with the values they
espouse.
If they claim to be able to teach you Nature spirituality, do they live lightly
on the Earth?
If they claim to be able to teach you magic, do they seem to be grounded,
centered and empowered?

Competent people - people who seem knowledgeable and skilled, people who are
organized, who keep their appointments and are well-prepared for their classes.

People who listen.
People who ask the kinds of questions that encourage you to explore your own
spirituality and your own ideas and feelings about traditional lore.
People who are genuinely open to learning from their students, as well as
teaching them.
People who will respect your confidences.
People who will neither gossip nor use Information you share to manipulate or
hurt you.


And some things to avoid:

Authoritarians - stay away from anyone who tries to censor your reading or to
isolate you from family or friends.

Beware of those who get irritated when you ask challenging questions.

Be even more wary of anyone who, when you ask a difficult question, either
ridicules you or patronizes you ("let your elders worry about that one, dear,
your job right now is just to learn what we teach.")

If anybody tries to forbid you to express your opinions in the presence of your
elders, run screaming out the door. (all these things have happened)

Sexual predators - unfortunately a few of these creeps infest every religion.

If somebody tells you that your magical or spiritual advancement depends on your
giving them what they want, first spit in their eye, then get away fast.

Hypocrites - those who say they love Mother Earth, and live carelessly and
wastefully, those who say they love the Goddess and dominate or abuse human
women, those who claim to be Spirit-led while their behavior is ego-driven.

Exploiters - but they're not instantly identifiable.

Any coven might ask students to take a turn bringing consumable supplies like
candles or cookies.
Teaching covens may have monetary expenses, such as photocopying or rental for a
meeting room -- and it's entirely reasonable for them to charge dues and cover
their costs from the common purse thus created.
There is some debate in our community about whether a Craft teacher should
accept payment for their time and work.
This is a matter of opinion, but you can be sure that a teacher who takes
payment is not practicing Traditional Witchcraft.

It's also fair for a teacher or coven to ask you to do your share of set-up and
clean-up, or of ongoing coven projects.
But if some coven leader expects you to work free in their profit-making
business, or act as their domestic servant, run screaming out the door.

People who order you to go against your values.
Again, this involves some subtle issues.
One of the major goals of spiritual Development is to learn to hear the still,
small inner voice.

But some of our inner directives are actually cultural or familial programming.
These prescriptions and prescriptions may also be wise, or they may be limiting,
or actually evil (consider racial prejudice).
They often drown out the voice of authentic Spirit.
The best teachers will gently challenge their students to override outworn
programming, but never to go against core values.
The issue of readiness is also important.
If you try to override even the nastiest old programming before you are ready,
you might cause a painful backlash.
This psychological trauma can actually retard your progress.

Beware of insensitive autocrats who try to force all their students into the
same Procrustean bed.
Don't ever let anybody pressure into doing anything - in or out of Circle - that
you believe is wrong.

In ritual, we speak to our deepest minds, establishing the moods and motivations
that shape our lives.

Don't ever do in token what you would not do in truth.


Compatibility issues
As polytheists, we celebrate diversity. Sacred diversity also shows itself in a
wide range of variation among those covens that are ethical, competent and
Spirit-led. You don't just want a good coven, you want one that is a good fit
for your own talents, temperaments, inclinations and style. Here are some
compatibility issues to consider:

Mixed gender or all female or male?

Size - the traditional maximum is thirteen, but quieter people may feel more
comfortable in smaller groups. The average size of a coven is more like five or
six.

Ritual style - ranges from highly formal and ceremonial to spontaneous and
"shamanic."

Teaching style - they may have a highly structured curriculum or they may let
their teaching be directed by student interest. If there is a prescribed
curriculum, does it cover your particular interests?

Decision-making style - this can range from full consensus process through
majority vote to parent-like benevolent dictatorship.

Time demands - good training requires the student's time and work. As the Craft
matures, our notion of what a priest/ess needs to know has grown accordingly.
Pacing makes a big difference -- we can either pack it in or stretch it out.
Find out what a coven's typical time demands are, both for attendance and for
homework.
Figure out whether you can meet those demands while continuing to have a job, a
family and a life.

Theological emphasis or focus: Goddess only, Goddess and God in balance, or
full-blown polytheism? Any particular pantheon or historical or cultural
emphasis?

Social contact - do you want your coven to also be a large part of your social
life, or would you rather keep social and coven life mostly separate? (If your
mate is not involved with the coven, you'll almost certainly prefer the latter.)


Summary
Coven-shopping is healthy for both covens and coveners.
Meet as many covens and coven leaders as possible.
Visit as many covens as you can before you commit to one.

Remember as you weigh your choice that they are asking themselves remarkably
similar questions about you -- and this is exactly as it should be. We all
benefit when the best possible matches are made, for the coven process forms the
leaders of the future -- and our Craft must ever survive.

Get to know the coven.
Get to know the leaders.

Coven Participation is not just a simple transfer of knowledge or skill -- it is
socialization into a small, closely-bonded community of priest/esses. So one
final question sums up all the issues we've looked at so far.
Do you want to become more like these people? If so, ask them if they will have
you as their student.
And may the Gods guide your Path to Their service.


by Judy Harrow



Free eBooks (Can Be Downloaded):

Miyamoto Musashi - A Book Of Five Rings
Basil Crouch - The Book Of Forbidden Knowledge
Michal Jerabek - The Book Of Enoch Vol I The Watchers

Sunday, 30 April 2006

Magic Witchcraft Animal Magnetism And Electro Biology

Magic Witchcraft Animal Magnetism And Electro Biology Cover

Book: Magic Witchcraft Animal Magnetism And Electro Biology by James Braid

James Braid (19 June 1795 – 25 March 1860) was born at Ryelaw House, in the parish of Portmoak, Kinross, Scotland, and was the son of James Braid and Anne Suttie. He married Margaret Mason (or Meason) on 17 November 1813. They had two children, James (born 1822), and a daughter.

A Scottish Physician and surgeon, specialising in eye and muscular conditions, Braid was an important and influential pioneer of Hypnotism and hypnotherapy. Braid adopted the term "hypnotism" as an abbreviation for "neuro-hypnotism" or nervous sleep (that is, sleep of the nerves), in his lectures of 1841-2, and it is from his influential work that others derived the term "hypnosis" in the 1880s. Braid is regarded by many as the first genuine "hypnotherapist" and the "Father of Modern Hypnotism".

Braid's work had a strong Influence on a number of important French medical figures, especially Etienne Eugene Azam (1822–1899) of Bordeaux (Braid's principal French "disciple"), the anatomist Pierre Paul Broca (1824–1880), the physiologist Joseph Pierre Durand de Gros (1826–1901), and the eminent hypnotherapist and co-founder of the Nancy School Ambroise-Auguste Liebeault (1823–1904).

Braid hypnotised the English Swedenborgian writer Dr. J.J.G. Wilkinson, who observed him hypnotising others several times, and began using hypnotism himself. Wilkinson soon became a passionate advocate of Braid's work and his published remarks on hypnotism were quoted enthusiastically by Braid several times in his later writings. However, Braid's legacy was maintained in Great Britain largely by Dr. John Milne Bramwell who collected all of his available works, and published a biography and account of Braid's theory and practice, as well as several books of his own on hypnotism.

Download James Braid's eBook: Magic Witchcraft Animal Magnetism And Electro Biology

Free eBooks (Can Be Downloaded):

Gabor Klaniczay - Witchcraft Mythologies And Persecutions
John Seymour - Irish Witchcraft And Demonology
John Campbell Colquhoun - An History Of Magic Witchcraft And Animal Magnetism
James Braid - Magic Witchcraft Animal Magnetism And Electro Biology

Friday, 31 March 2006

Elemental Correspondences

Elemental Correspondences Cover
Correspondences Of The Center:

Element : Spirit
Color : Pure White (violet, black)
Time : Infinity; Eternity
Season : The Turning Wheel :
Tool : Cord
Animal : Sphinx, Swan, Dragonfly
King : Math Mathonwy
Sense : Hearing
Plant : Mistletoe
Goddess Aspects: Isis, Shekhinah
God Aspects : Akasha, Iao
Power : To Evolve, To Progress (ire)
Magical Aspects: Aura, Transcendence, Transformation, Change, Everywhere and Nowhere, The Void

Correspondences Of The East:

Element : Air
Color : Yellow (white, blue-white, pastels)
Time : Dawn
Season : Spring
Zodiacal Signs: Gemini, Libra, Aquarius
Tool : Wand, Censer, Staff
Elemental : Sylph, Zephyr
Angel : Michael
Wind : Eurus
King : Nuada, Gwydion
Queen : Arianrhod
Weapon : The Sword of Nuada
Item : Arrow
Sense : Smell
Jewel : Topaz
Plant : Frankincense, Myrrh, Pansy, Vervain, Violet, Yarrow
Tree : Aspen
Goddess Aspects: Aradia, Arianrhod, Cardea, Nut, Urania
God Aspects : Enlil, Khephera, Mercury, Shu, Thoth
Power : To Know (noscere); The Power of Life
Magical Aspects: The Mind; All Mental, Intuitive, Psychic Work; Knowledge, Abstract Learning, Intellect, Theory;Wind and Breath; Hospitality, Benefit

Correspondences Of The NORTH

Element : Earth
Color : Green (dark green, brown, white, black)
Time : Midnight
Season : Winter
Zodiacal Signs: Taurus, Virgo, Capricorn
Tool : Pentacle, Black Mirror
Elemental : Gnome, Kobold
Angel : Gabriel
Wind : Boreas, Ophion
King : Fal, Cernunnos
Queen : Blodwen, Anu
Weapon : Lia Fal (the Stone of Fal)
Item : Shield
Sense : Touch
Jewel : Quartz
Plant : Comfrey, Ivy, Grass
Tree : Oak
Goddess aspects: Ceres, Demeter, Gaea, Mah, Nephthys, Persephone, Prithvi, Rhea, Rhiannon
God aspects : Adonis, Athos, Arawn, Cernunnos, Dionysus, Marduk, Pan, Tammuz
Power : To Keep Silent (tacere); The Power of Law
Magical Aspects: The Body, Growth, Nature, Sustenance, Material Gain, Money, Creativity, Birth, Death, Mystery, Silence, Structure, Struggle, Pride, Conflict, Prosperity, Success

Correspondences Of The SOUTH

Element : Fire
Color : Red (orange, crimson, gold)
Time : Noon
Season : Summer
Zodiacal Signs: Aries, Leo, Sagittarius
Tool : Sword, Athame
Elemental : Salamander, Firedrake, Newt
Angel : Ariel
Wind : Notus
King : Lugh, Bel
Queen : Brid
Weapon : The Spear of Lugh
Item : Rod
Sense : Sight
Jewel : Fire Opal
Plant : Garlic, Hibiscus, Mustard, Nettle, Onion, Red Poppy, Red Pepper
Tree : Almond (in flower)
Goddess aspects: Brid, Hestia, Vesta, Pele
God aspects : Agni, Hephaestus, Vulcan, Horus, Prometheus, Goibniu, Weyland the Smith
Power : To Will (velle); The Power of Light
Magical Aspects: Blood, Energy, Spirit, Heat, Flame, Sap, Life, Will, Healing/Destroying, Purification, Fertility, Music

Correspondences Of The WEST

Element : Water
Color : Blue (black, gray, blue-green, green, indigo)
Time : Twilight
Season : Autumn
Zodiacal Signs: Cancer, Scorpio, Pisces
Tool : Chalice, Cauldron
Elemental : Undine, Nymph
Angel : Raphael
Wind : Zephyrus
King : Dagda, Dylan
Queen : Dana, Boann
Weapon : The Cauldron of Dagda
Item : Cup
Sense : Taste
Jewel : Aquamarine
Plant : Ferns, Lotus, Moss, Rushes, Seaweed, Water Lily
Tree : Willow
Goddess aspects: Aphrodite, Isis, Marianme, Mari, Tiamat, Yemaya
God aspects : Dylan, Llyr, Manannon, Osiris, Poseidon, Neptune
Power : To Dare (audere); The Power of Love
Magical Aspects: Emotions, Feeling, Love, Courage, Daring, Sorrow, The Unconscious, Learning, Storytelling

Free e-books (can be downloaded):

Frater Ahyhhgyg - Manipulation Through Astral Correspondences
Louis Claude De Saint Martin - Theosophic Correspondence

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Thursday, 23 March 2006

Introduction To The Old Religion

Introduction To The Old Religion Cover

Book: Introduction To The Old Religion by Anonymous

These lessons have circulated throughout the BBS and Internet community for many years. I remember first seeing them on a local BBS in the late 1980s. They are in outline form and may have served as a detailed lesson plan for a coven or other group. Legend says they originated in Southern California. However, I've never seen any real evidence to prove or disprove this claim.

While these lessons are interesting and useful, readers should remember that they are only the opinion (perhaps even the biased opinion) of one person or group. They are simply one source of information. They should not be taken as the "one word of truth."

Buy Anonymous's book: Introduction To The Old Religion

Free eBooks (Can Be Downloaded):

John Ronald Tolkien - Introduction To The Elder Edda
Anonymous - Introduction To The Old Religion Lesson 7a
Anonymous - Introduction To The Old Religion Lesson 8

Sunday, 19 March 2006

Tool Wrappings

Tool Wrappings Cover
Study the properties of silk in relation to electricity, especially static.

Amber or jet rubbed with a protein based fabric will gather dust like crazy. Silk is protein based, as is wool. Wear a silk or wool garment with your amber and jet necklace, and you can give a covener quite a static shock under certain conditions.

Silk rubbed on glass could produce a different charge than silk rubbed on plastic >which could be different than say felt on glass.

I have seen comments to the effect that a HPS in certain traditions was given an amber or jet necklace when she was made HPS, and others that in some traditions it was preferred that she wear a silk robe. Silk + amber + jet = static charge/HPS. Hmmm. A bit theatrical for my tastes.

My Great-aunt was taught how to read cards in the 20's and she too was given this 'wrap it in silk'.

The reader who was teaching her said it didn't have squat to do with the energy of the cards or the fabric, it had everything to do with respecting the oracular gift that a reader had and was a reminder to not be too casual about when, how, or why you did a reading. The act of picking up the silk wrapped deck and carefully unwrapping it had to do with getting her into the state of mind to read, a repetitive shortcut 'ritual' of sorts. She was her own tool, the deck and wrapping were just keys to using part of her insight.

In and of itself, the material wasn't important, not grabbing the deck to read for every simple decision that needed to be made, to answer every question that would come up for every person (especially when common sense or insight handed you the answer), or to show them off to everybody just for shock value, WAS.

Although they were discussing tarot decks, pretty much the same reasoning could be used for other magickal or ritual tools as well -if- you keep separate tools. If you are more in the Kitchen Witch tradition, it would seem pretty silly (not to mention expensive, and conspicuous) to consider wrapping your tools in silk: everything can be a potential tool. Do you wrap -everything- in your home/car/garden/office in silk?

Free e-books (can be downloaded):

Medieval Grimoires - The Red Book Of Appin
Howard Phillips Lovecraft - What The Moon Brings

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Sunday, 12 March 2006

Contact The Other Side Seven Methods For Afterlife Communication

Contact The Other Side Seven Methods For Afterlife Communication Cover

Book: Contact The Other Side Seven Methods For Afterlife Communication by Konstantinos

This could have been "Afterlife Communication for Everyone". It presents detailed descriptions of different ways of talking to people who have died. Four of these seven methods are based on the concept of electronic voice phenomena ['EVP', sometimes called 'ITC']. The other three methods are more traditional spiritualist methods. Konstantinos does not make any assumptions about what the reader may know already -- either about technology or about spirituality. He takes you step-by-step through the whole book.

According to Konstantinos, practicing mystic and occult author, contacting the dead is easier than you might think. All that is required is some basic equipment, an open mind and a willingness to try any or preferably all of the seven methods he sets forth. Unfortunately, a number of the "simple" methods presented here are likely to appeal to only a small subset of technologically savvy amateur occultists. While Konstantinos's first method uses a simple tape recorder to capture "electronic voice phenomena," he soon escalates to using radio static and white noise; by method four, the reader is expected to be experimenting with noise reduction software and positive video feedback loops. Konstantinos's own reports of spirit contact offer little incentive for such heroic efforts; the idea of listening to hours of feedback and white noise on the chance of hearing a barely discernible voice whisper something like "Not solid... more thought, more reality" will probably repel all but the most dedicated seekers. For those who can set aside the suspicion that methods one through four are merely 21st-century updates of the photographic techniques employed by fraudulent or credulous Victorians, the second section, dedicated to more traditional psychic means of contact, is ironically more persuasive. Here Konstantinos's strengthsAhis earnestness, clarity and reasonable manner of explaining techniqueAoffset his somewhat scant presentation. Thanks to these qualities, the book should still find some fans among followers of the paranormal, technologically inclined or not.

Konstantinos opens the book with a short Description of the afterlife, which is reminiscent of the descriptions in Michael Newton's "Journey of Souls". Interestingly, Konstantinos then goes on to say that he has studied stage mentalist techniques and he denounces as fakes (without naming names) those mediums who make the talk show circuit giving cold readings. His point of view is that since everyone is able to communicate with deceased spirits for him- or herself, such mediums are unnecessary at best and con men at worst.

Konstantinos then moves on to a brief history of the EVP techniques the first four methods are based on, before presenting his first method for capturing spirit voices on an audio tape recorder. As the later methods are presented, they build on the ones presented earlier. The fourth method describes how to capture images from the afterlife on video tape. Konstantinos takes pains to make sure that readers have realistic expectations about the results of these methods, but he is obviously very enthusiastic about them. He wants readers to try the methods because of the Experiences he's had using them.

The last three methods are completely non-technical. These sections cover scrying, "mind to mind" communication, and group communication (i.e., seances). These are so far beyond my experience that my only comments on them are that they make interesting reading and I enjoyed Konstantinos' Description of his meeting with the spirit of his great-grandfather, whom he had never met while living.

The real clincher about methodology, though, was Konstantinos' saying that it's sometimes necessary to change the sampling rate to understand the speech. That is, sometimes you need to speed up or to slow down the playback of the recording to understand it. Now, if you can take that kind of liberty to interpret your data - only because "that's what works" - then who knows what you might find in it?

Konstantinos wonders, early in the book, when mainstream science will pick up on EVP techniques. That will never happen until EVP analysis ceases to be subjective. While presenting his EVP methods, he describes how he has used computers in that work. This caused me to wonder what results could be found in his EVP recordings by running them through some decent voice recognition software. Or has this been tried already?

Buy Konstantinos's book: Contact The Other Side Seven Methods For Afterlife Communication

Free eBooks (Can Be Downloaded):

Anonymous - Confessio Fraternitatis
Terry Findlay - Phronesis The Development Of Practical Wisdom
Steven Ashe - The Picatrix The Goal Of The Wise Planetary Talismanic Magic
Raymond Buckland - Bucklands Book For Spirit Communications