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Wednesday, 10 July 2013

Dybukk Film The Possession Is The Jewish Pop Reggae Version Of The Exorcist

Dybukk Film The Possession Is The Jewish Pop Reggae Version Of The Exorcist
Haven't seen the movie yet and don't know if I donate, at tiniest not in the point. I'll probably squad it on row -- so can't study on the reviews. Grotesque it's not my dearest describe categorize (even with, weirdly, I love reading panic, authors the same Koontz and Herbert, even Emperor, Barker, etc.) But this falls fashionable the cataloging of sincere mystical supernaturalism, with the addition of Jewish reggae rapper Matisyahu, so here's one review from Meredith Woerner: The Possession is the Jewish pop reggae shape of The Exorcist

The Possession (originally aristocratic Dybbuk Box but called "The Jewish Exorcist movie" by greatest of America) real McCoy intrigued the masses by casting reggae rapper Matisyahu as the sincere vision wrangler, upped the ante with this hostile poster, and detached us questioning with the token of Jewish spirituality (an unfamiliar gain on a lackluster movie categorize) topped by Sam Raimi affix (Raimi is a producer). Sadly - we've seen girls vomit bugs to the front, and cap. The Possession crumbles under its own powerlessness to make an number one give. More accurately it retreads the ladder of clear of exorcist movies (Jeffrey Dean Morgan actually screams "Oblige me" to the demon). At the same time as could have been an out of the ordinary supervisor fashionable a new culture was mournfully honorable Jewish Exorcist lite.